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The Vatican Tapes

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‘If you believe in God then you believe in the Devil’

The Vatican Tapes is a 2015 American horror thriller film directed by Mark Neveldine (Ghost Rider: Spirit of Vengeance) from a screenplay by Christopher Borrelli (Whisper; Eloise), based on a story co-written with Chris Morgan.

The film stars Kathleen Robertson (Psycho Beach Party; Scary Movie 2; Bates Motel), Michael Peña, Djimon Hounsou (Deep Rising), Dougray Scott and John Patrick Amedori. It is scheduled to be released on May 22, 2015, by Lionsgate.

Plot teaser:

A leaked video tape reveals a Vatican exorcism gone horribly awry…

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Cast:

Wikipedia | IMDb



Infernal

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‘Evil has been chosen’

Infernal is a 2015 American found footage horror-thriller. Infernal was written and directed by Bryan Coyne and stars Andy Ostroff, Heather Adair, Shane Hartline, Leandra Ryan, Alyssa Koerner, and Matthew Scott Payne. It was released in the USA on April 10th 2015.

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Plot teaser:

A happy young couple welcomes their first child shortly after getting married. Their joy quickly turns to fear when the girl starts acting strangely and unexplained phenomena start happening around the house. Fearing their daughter could be possessed, the parents call in a priest to perform an exorcism, but when that goes horribly wrong, the parents start to wonder if they can break their child free from the evil spirit that has taken over her body and soul and if she can be saved before it’s too late…

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Reviews:

“Nothing refreshing to see here in this Exorcist/Omen style mash up but some great visuals and magnificent character scripting makes this more than an average watch, and the pay-off of the film is unexpected and brilliantly done.” The Movie Waffler

“The film boasts some truly creepy sequences of the supernatural, and though many horror films benefit from a less-is-more approach, Infernal could have used a lot more of this spectral imagery. For low-budget horror Infernal is hardly inspired, but it’s not an utter waste of time either.” ScreenRelish

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” …this film was entertaining to watch, even if it fell flat at times. If you’re a fan of the found footage genre and liked the Paranormal Activity franchise this is something you should check out. It can be a little rough around the edges with the acting, dialogue, and the overall length dragging things down. However, it makes up  for some of those shortcomings with its practical effects and the ominous feeling it produces once the lights go out.” House by the Video Store

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IMDb

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Enfield Poltergeist – urban myth

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The Enfield Poltergeist was the name given to claims of poltergeist activity at a council house in Brimsdown, Enfield, England during the late 1970s. Although psychical researchers such as Maurice Grosse and Guy Lyon Playfair declared some of the phenomena genuine, the case is generally considered to be a hoax by skeptics.

In August 1977, single parent Peggy Hodgson called police to her rented home in Enfield after two of her four children claimed that furniture was moving and knocking sounds were heard on walls. The children included Margaret, age 13, Janet, age 11, Johnny, age 10 and Billy, age 7. A female police constable saw a chair slide on the floor but couldn’t determine if it moved by itself or was pushed by someone. Later claims included allegedly demonic voices, loud noises, thrown rocks and toys, overturned chairs and levitation of children.

Reports of further incidents in the house attracted considerable press attention and the story was covered in British newspapers such as the Daily Mail and Daily Mirror, until reports came to an end in 1979. On Halloween 2011, BBC News featured comments from a radio interview with photographer Graham Morris, who claimed that a considerable portion of the events were genuine.

Society for Psychical Research members Maurice Grosse and Guy Lyon Playfair reported “curious whistling and barking noises coming from Janet’s general direction.” Although Playfair maintained the haunting was genuine and wrote in his later book This House is Haunted: The True Story of a Poltergeist (1980) that an “entity” was to blame for the disturbances, he often doubted the children’s veracity and wondered if they were playing tricks and exaggerating.

Still, Grosse and Playfair believed that even though some of the alleged poltergeist activity was faked by the girls, other incidents were genuine. Janet was detected in trickery. A video camera in the room next door caught her bending spoons and attempting to bend an iron bar. Grosse had observed Janet banging a broom handle on the ceiling and hiding his tape-recorder.

When Janet and Margaret admitted their pranking to reporters, Grosse and Playfair compelled the girls to retract their confession. They were mocked by other researchers for being easily duped.

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Buy This House is Haunted from Amazon.com | Amazon.co.uk

The psychical researcher Renée Haynes had noted that doubts were raised about the alleged poltergeist voice at the Second International SPR Conference at Cambridge in 1978, where video cassettes from the case were examined. The SPR investigator Anita Gregory stated the Enfield poltergeist case had been “overrated”, characterizing several episodes of the girl’s behavior as “suspicious” and speculated that the girls had “staged” some incidents for the benefit of reporters seeking a sensational story. John Beloff a former president of the SPR investigated and suggested Janet was practicing ventriloquism. Both Beloff and Gregory came to the conclusion that Janet and Margaret were playing tricks on the investigators.

American paranormal investigator Ed Warren claimed that Janet was once “sound asleep, levitating in midair” and concluded that the children were the subject of demonic possession.

In a television interview for BBC Scotland, Janet was observed to gain attention by waving her hand, and then putting her hand in front of her mouth while a claimed “disembodied” voice was heard. During the interview both girls were asked the question “How does it feel to be haunted by a poltergeist?” Janet replied “It’s not haunting” and Margaret interrupted “Shut up”. These factors have been regarded by skeptics as evidence against the case.

Skeptics have also noted that the alleged poltergeist voice that originated from Janet was produced by false vocal cords above the larynx and had the phraseology and vocabulary of a child. Maurice Grosse made tape recordings of Janet, and believed that there was no trickery involved, but the magician Bob Couttie has written, “he made some of the recordings available to me and, having listened to them very carefully, I came to the conclusion that there was nothing in what I had heard that was beyond the capabilities of an imaginative teenager.”

Skeptic Joe Nickell has criticized paranormal investigators for being overly credulous: when a supposedly disembodied demonic voice was heard, Playfair noted that, “as always Janet’s lips hardly seemed to be moving.” Nickell wrote that a tape recorder malfunction that Grosse attributed to supernatural activity and Society for Psychical Research president David Fontana described as an occurrence “which appeared to defy the laws of mechanics” was merely a peculiar threading jam common to older model reel to reel tape recorders.

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Nickell states that a remote-controlled still camera (the photographer was not present in the room with the girls) timed to take a picture every 15 seconds that supposedly “recorded poltergeist activity on moving film for the first time” was shown by investigator Melvin Harris to reveal the girls’ pranks. A photo allegedly depicting Janet “levitating” in mid air actually shows her bouncing on the bed as if it were a trampoline. Harris called the photos examples of common “gymnastics,” and said “It’s worth remembering that Janet was a school sports champion!” Nickell also wrote that demonologist Ed Warren was “notorious for exaggerating and even making up incidents in such cases, often transforming a “haunting” case into one of “demonic possession.” In an interview with the Daily Mail, the adult Janet admitted that she and her sister had faked “2 percent” of the phenomena, prompting Nickell to comment, “the evidence suggests that this figure is closer to 100 percent.”

Nickell noted that the supposed poltergeist “tended to act only when it was not being watched” and concluded that the incidents were best explained as children’s pranks. According to Nickell:

“Time and again in other ‘poltergeist’ outbreaks, witnesses have reported an object leaping from its resting place supposedly on its own, when it is likely that the perpetrator had secretly obtained the object sometime earlier and waited for an opportunity to fling it, even from outside the room—thus supposedly proving he or she was innocent.”

American magician Milbourne Christopher investigated, failed to observe anything that could be called paranormal, and was dismayed by what he felt was suspicious activity on the part of Janet. Christopher would later conclude that “the poltergeist was nothing more than the antics of a little girl who wanted to cause trouble and who was very, very, clever.”

In 2015, Deborah Hyde commented that there was no solid evidence for the Enfield poltergeist “the first thing to note is that the occurrences didn’t happen under controlled circumstances. People frequently see what they expect to see, their senses being organised and shaped by their prior experiences and beliefs.”

Popular Culture:

  • In 1992, the BBC aired a mockumentary entitled, written by Steven Volk and based on the Enfield Poltergeist.
  • In March 2007, Channel 4 aired a documentary about the Enfield poltergeist, entitled Interview with a Poltergeist.
  • The Enfield poltergeist has been featured in episodes of ITV series Strange But True? and Extreme Ghost Stories.
  • The Enfield poltergeist was the subject of the 2015 Sky Living television series The Enfield Haunting which was broadcast on the 3rd of May 2015, and the 2016 US theatrical horror film The Conjuring 2: The Enfield Poltergeist.

Wikipedia


Exeter aka The Asylum

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Exeter – formerly known as Backmask and known as The Asylum in the UK – is a 2014 American horror film directed by Marcus Nispel (The Texas Chainsaw Massacre remake; FrankensteinFriday the 13th remake) from his storyline. The screenplay is by Kirsten Elms.

Exeter stars Gage Golightly, Brittany Curran, Stephen Lang, Kelly Blatz, Kevin Chapman, Brett Dier and Nick Nicotera. Special makeup effects were provided by Shaun Smith (Killjoy; Dawn of the Dead; The Cabin in the Woods).

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The film is being released on DVD in the UK as The Asylum on 4 May 2015 by Studiocanal.

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Plot teaser:

A group of teenage friends decide to hold a party at an abandoned asylum and having played a vinyl record backwards, end up inadvertently releasing an evil demon that begins to possess them, one by one. They attempt to perform an exorcism without much success…

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Buy The Asylum (2015) on Studiocanal DVD from Amazon.co.uk

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Cast:

 

Wikipedia | IMDb

 


Grace: The Possession

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Grace: The Possession – aka Grace – is a 2014 American/Canadian horror film directed by Jeff Chan and starring Alexia Fast, Lin Shaye (Insidious: Chapter 2), and Alan Dale.

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Plot Teaser:

Grace is a naive, beautiful, virginal college freshman trying to deal with campus culture and her outgoing new roommate. But when a terror takes over her body and unleashes chaos, Grace returns to the cold clutches of her severe grandmother and the strict rules of the church. Haunted by the horrific death of her mother and deeply ingrained, destructive urges, she must stop the demon inside before it’s too late…

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Grace: The Possession is unusual in that for most of its running time it plays is shot from the perspective of the possessing entity inside Grace.

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 Buy Grace: The Possession on DVD from Amazon.com | Amazon.co.uk

Reviews:

“The content may be too routine to impress, but delivery makes up the difference.  While the first-person POV is a gimmick, it is one that makes Grace: The Possession unfold in a memorable manner.  This is how creative filmmakers mold meh material into a movie that audiences will talk about after, regardless of how they may have felt about the film itself.” Culture Crypt

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“So it’s a pretty mixed bag, really – at times I found myself nodding in appreciation of an inventive shot or the occasional disturbing scene (there are a couple of these that work surprisingly well), and at times I found myself groaning at some dodgy acting and writing, but I actually kind of enjoyed Grace.” Brutal as Hell

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“Anybody seriously into their horror probably won’t see this film as anything other than gimmicky but Grace: The Possession does have the distinction of having a bit of effort behind it – in certain areas, at least – and in this day and age of production line supernatural horror movies that’s enough to make it stand out, although maybe not as much as the filmmakers would probably like.” Flickering Myth

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IMDb

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Tragic Theater

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‘When tragedy struck, evil followed.’

Tragic Theater is a 2014 Filipino horror film directed by Tikoy Aguiluz from a screenplay by Moviepix Creatives, based on G.M. Coronel’s book of the same name.

The film’s trailer was initially deemed to be ‘X-Rated’ by the Filipino Movie and Television Review and Classification Board (MTRCB) so Viva Films released it uncut on the internet before resubmitting it in a tamer version. The film itself was released on January 8, 2015 by Viva Films.

Cast:

Andi Eigenmann, Christopher De Leon, John Estrada, Lander Vera-Perez
Janna Victoria, Gabe Mercado, Roxanne Barcelo, Josh Padilla. Chloe Dauden, Jovic Monsod.

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Plot:

A team of exorcists are sent into an old theater that is rumoured to have been the site of a great tragedy during its construction…

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Reviews:

“To his credit, director Tikoy Aguiluz was able to create a creepy atmosphere during the start of the film. But once it reaches the point where Annie’s possession becomes the focus of the film, everything goes down. He tried his best in creating unique scenes that looked weird and unique (but irrelevant all through out).” Certified Ace

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“Part of his film’s allure is its blackly comic tendencies: set in the late 90’s, the characters in Tragic Theater are gradually receptive to new technologies like the newly emerging cellular phones and cassette deck, in-car entertainment systems. It is the joke that Aguiluz pulls subtly and well, but the humor in it is the irony of the paranormal at the very rise of modernity.” Armando De La Cruz, Film Police

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“There are a lot of novel ideas here coming from Aguiluz, who makes most of the source material’s adherence to Roman Catholic lore to conjure moving images that would at the very least astound if they cannot scare. Unfortunately, those ideas can never gel with the rest of the film’s inadequacies to create a truly fascinating whole.”Francis Joseph Cruz, Rappler.com

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Trailer:

Wikipedia | IMDb

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The House Where Evil Dwells

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‘An ancient curse has turned their lives into a nightmare of lust and revenge.’

The House Where Evil Dwells is a 1982 American/Japanese supernatural horror film directed by Kevin Connor (At the Earth’s Core; Motel Hell; Frankenstein [2004]) and produced by Martin B. Cohen. It was based on a novel by James Hardiman, adapted into a screenplay by Robert Suhosky.

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Main Cast:

Edward Albert (Galaxy of Terror; Mimic 2; Sea of Fear), Susan George (The Sorcerers; Die Screaming Marianne; Venom), Doug McClure (At the Earth’s Core; The People That Time Forgot; Humanoids from the Deep), Mako Hattori and Tsuiyuki Sasaki.

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Plot:

In 1840, in the rural region of Kushiata near Kyoto, Japan, a samurai, named Shigero, comes home to find his wife, Otami, in bed with another man, named Masanori. In a violent scene, Shigero kills them both and then himself.

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In the present day, an American family of three, writer Ted Fletcher, his wife Laura, and their 12-year-old daughter, Amy, moves into this since-abandoned house and starts to experience incidents of haunting and possession. The three murdered people still haunt the house and subject each of the Fletcher family to various harassment and mischief which gets more frequent and serious with each passing day…

Reviews:

“The special effects, particularly the ones in which the ghosts interact with the live characters, are good, but everything else is fairly silly.” Vincent Canby, The New York Times, 1982

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“The film can only be enjoyed on a camp level, as the theatrical make-up on the three spirits is pretty poor, and the special effects of them entering their modern counterparts’ bodies is bound to be considered dated by modern CGI-raised audiences. Most of the scare tactics bring more laughs than fright… George R. Reis, DVD Drive-In

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“The film has more nudity than chills, but it does have some quirky humor, especially in the exorcism scene.” TV Guide

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“familiar concoction that blames women for craving more sex than marriage affords (providing an opportunity to ask George to take her clothes off), involve a plague of insects and demonic rubber crabs as well as a phallic ivory carving… ” Phil Hardy (editor), The Aurum Film Encyclopedia: Horror

“Fans make fun of the obvious effects first and the unnecessary nudity second, although fans of Susan George (from Pekinpah’s Straw Dogs) may find the nudity their main reason for watching.” David Elroy Goldweber, Claws & Saucers

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Cast and characters:

Edward Albert as Ted Fletcher
Susan George as Laura Fletcher
Doug McClure as Alex Curtis
Amy Barrett as Amy Fletcher
Mako Hattori as Otami
Tsuiyuki Sasaki as Shigero (as Toshiyuki Sasaki)
Toshiya Maruyama as Masanori
Tsuyako Olajima as Majyo Witch (as Tsuyako Okajima)
Henry Mittwer as Zen Monk
Mayumi Umeda as Noriko, the babysitter
Shuren Sakurai as Noh Mask Maker
Hiroko Takano as Wakako
Shôji Ohara as Assistant Mask Maker (as Shoji Ohara)
Jirô Shirai as Tadashi (as Jiro Shirai)
Kazuo Yoshida as Editor
Kunihiko Shinjo as Assistant Editor
Gentaro Mori as Yoshio
Tomoko Shimizu as Aiko
Misao Arai as Hayashi
Chiyoko Hardiman as Mama-San
Hideo Shimedo as Policeman (as Hideo Shimado)

Trailer:

Wikipedia | IMDb | Images: Wrong Side of the Art!


The Possession of Joel Delaney (1972)

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The Possession of Joel Delaney is a 1972 American supernatural horror film directed by Waris Hussein (The Henderson Monster) from a screenplay by Irene Kamp [as Grimes Grice] (The Beguiled) and Matt Robinson. The film is based on the 1970 novel of the same name by Ramona Stewart. It was partly financed by Lew Grade’s ITC Entertainment.

Despite it being a mainstream Paramount release, the film included footage of actor David Elliott, who was thirteen years-old at the time, fully naked, being verbally abused by the character Joel Delaney. These controversial scenes have been trimmed for subsequent releases.

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Main cast:

Shirley MacLaine, Perry King, Barbara Trentham, Earl Hyman, David Elliott, Michael Hordern.

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Plot:

New York City: Norah Benson and her younger brother Joel Delaney attend a wealthy people’s party. It is subtly implied that theirs is not an ordinary siblings’ relationship.

Two days, Joel fails to attend a dinner at Norah’s house. When she calls him, all she hears is somebody making odd sounds into the phone. She heads over to her brother’s seedy Spanish Harlem apartment to investigate. Norah sees Joel dragged out, having tried to kill the building superintendent, before being taken to Bellevue Hospital.

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At Joel’s apartment, she finds the whole place in disarray and an eerie sign painted in the wall of both the super’s and his brother’s flats. She also finds an unusually large switchblade knife…

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Reviews:

Joel Delaney is a creepy story…and also a VERY claustrophobic movie. The grimy, confusing landscape of Manhattan provides the perfect, festering environment for the weirdo black magic that beats Shirley MacLaine’s character down…and out of the city to the disturbing and powerful climax.” Dan Hunter and Jason Knowles, The Terror Trap

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” … what ultimately sets this film apart from the glut of demon/exorcism movies that possessed screens throughout the ’70s, is a feeling of authenticity, and the desire to strike a deeper, more resonant chord than the typical shlock of the day. There’s more to The Possession of Joel Delaney than just the possession of Joel Delaney.” John Dedeke, Shock Till You Drop

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“The final twist, which I’ll refrain from giving away, is not the same as the final twist in the book. It’s a more disturbing wrap-up than the book’s more subtle, eerie ending. Once again, the film industry came in and took a perfectly creepy book and upped the sensationalism because nothing can ever be too shocking in Hollywood.” Jennifer Makowsky, Pop Matters

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” … works for a number reasons, first and foremost that it assimilates the idea of demonic possession on a more plausible level, with events that take place hidden in the underbelly of Manhattan. A sequence depicting a ritualistic Santeria (a Cuban-originated voodoo-like religion) ceremony in a small apartment is almost documentary-like… George R. Reis, DVD Drive-In

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Cast and characters:

  • Shirley MacLaine as Norah Benson
  • Perry King as Joel Delaney
  • David Elliott as Peter Benson
  • Lisa Kohane as Carrie Benson
  • Michael Hordern as Justin
  • Barbara Trentham as Sherry
  • Earl Hyman as Charles
  • Lovelady Powell as Erika
  • Edmundo Rivera Álvarez as Don Pedro
  • Teodorina Bello as Mrs. Pererz
  • Robert Burr as Ted Benson
  • Míriam Colón as Veronica
  • Ernesto Gonzalez as Young Man at Seance
  • Aukie Herger as Mr. Perez
  • Marita Lindholm as Marta Benson

Choice dialogue:

Joel Delaney: “Rich people don’t beg.”

Wikipedia | IMDb



Ava’s Possessions (2015) [updated]

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‘Demons are a girl’s best friend’

Ava’s Possessions is a 2015 comedy horror film written and directed by Jordan Galland.

Momentum Pictures release the film in cinemas and on VOD March 4, 2016. A DVD release by Entertainment One follows on April 6,

Main cast:

Jemima Kirke, Carol Kane (When a Stranger Calls), William Sadler, Alysia Reiner, Louisa Krause, Dan Fogler, Joel de la Fuente, Lou Taylor Pucci, John Ventimiglia, Deborah Rush,  Whitney Able, Wass Stevens, Zachary Booth, Geneva Carr, Stella Schnabel.

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Plot:

Ava Dobkins is recovering from demonic possession. With no memory of the past month, she is forced to attend a Spirit Possession Anonymous support group. As Ava struggles to reconnect with her friends, get her job back, and figure out where the huge bloodstain in her apartment came from, she’s plagued by nightmarish visions – the demon is trying to come back…

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Reviews:

“Galland’s film plays more like a cable-ready mystery than a cult film in the making, offering just enough chuckles to stay afloat. Though sometimes clever, it doesn’t offer anything like the deep-geek inventiveness of, say, Simon Pegg and Edgar Wright’s movies. Still, it’s a nice alternative to yet another self-serious Exorcist wannabe.” John DeFore, The Hollywood Reporter

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“It’s clear early on that this is a low-key affair, but while low budget doesn’t have to mean low energy that’s exactly what we get here … It’s all just so flat, and while some of that is attributed to the performances the fault ultimately sits with the direction and script.’ Rob Hunter, Film School Rejects

“Galland elevates his film by going about exorcisms in a fresh light, whether he’s filming the religious ritual from Ava’s point-of-view or addressing how survivors cope, and his ambitious efforts pay off in the realm of cinematic individuality. It’s not without slow sections and scenes that could use some tighter performances, but Ava’s Possession is a favorable genre watch that offers more than cussing demons and heroic priests who save the day.” Matt Donato, We Got This Covered

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Trailer:

IMDb | Facebook


The Demon Murder Case (1983)

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‘…and please, don’t let me kill again.’

The Demon Murder Case is a 1983 American made-for-TV film directed by William Hale (Night Gallery) from a screenplay by William Kelley for NBC.

The film stars Eddie Albert (The Devil’s Rain), Andy Griffith, Kevin Bacon (Friday the 13th; Tremors; The Darkness), Joyce Van Patten (The Wide World of MysteryThe Stranger Within; The Haunted) and Cloris Leachman (Young Frankenstein; Scary Movie 4Scouts Guide to the Zombie Apocalypse).

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Review:

This made-for-TV, Dick Clark production, is a fictionalised account of the actual 1981 Devil Made Me Do It Case from Brookfield, Connecticut. For those not in the know, this was an infamous murder trial which beefed-up its macabre credentials by claiming the first demon possession defence and by having the Paranormal Pompom Squad of Ed and Lorraine Warren (also see The Conjuring and sequel) as its investigators/promoters.

Andy Griffith and Beverlee McKinsey play Guy and Charlotte Harris (aka The Warrens) investigating the possible possession of young Brian Frazier (Charles Fields). Early on, Brian’s sister, Nancy (Liane Langland), relates to her parents how Brian told her a burnt man with sunken eyes and hoofed feet attacked him at the house she and her fiancé, Kenny (Kevin Bacon), were cleaning up and hoping to soon move into; Brian then tells his mother, Connie (Joyce Van Patten), that the burnt man, who calls himself The Beast, has followed them back to his parent’s house.

The husband, Gary (James Doerr), remains skeptical until that night when the demon makes itself known by shaking the house and by the yelling coming from Brian’s room. The family rushes in and finds Brian on the floor claiming to be threatened by The Beast; after Connie tries to reassure him, he kicks her away, then proceeds to growl and laugh manically; he gets up and moves away from them, then whispers menacingly over his shoulder that they are all going to die.

The violence escalates with family members attempting to hold Brian down as an unsourced wind whips things about the room, parts of the house continue to shake, and a thunderstorm rumbles impotently outside. A police officer finally arrives with complaints from the neighbours concerning the noise.

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More crazed, sweaty demon laughter ensues, along with growls, distorted close-ups of the possessed, and looks of terror before Connie suggests they call in the Harris couple for help. Once there, the paranormal duo do a cursory investigation, declare a possession, and promptly clash with a banausic priest who thinks the whole thing foolish. His tune changes, however, once the bishop tries to exercise the demon. After this fails, a twist occurs which ultimately leads to the murder referred to in the title and the subsequent trial of the accused.

The high point of the film is Billy Hale’s solidly proficient direction; he knows what he wants, and he knows how to get it without losing the raw-nerved energy required to keep this complex story moving, while John Lindley enhances Hale’s direction by using his palmy cinematography to create a meaty dread throughout the film.

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George Tipton’s score fits beautifully, getting under the skin by weaving threatening violin notes through a lamenting oboe’s forlorn sobs. On the flip side, we have questionable acting on the part of Kevin Bacon (Friday the 13th; Tremors; The Darkness), surprisingly enough. He seems to be phoning it in while waiting for his big break to arrive with Footloose.

Overall, the film works, even though it does falter at times, revealing its quick production, shoestring budget, and occasional lapses in acting; it also seems to be glancing longingly backwards to the higher-level tension of 1970’s productions such as Kolchak: The Night Stalker and When Michael Calls. Still, it’s a commendable effort that is well worth seeking out for a slight chill up the spine.

Ben Spurling, Horrorpedia.com

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Other reviews:

“As far as the direction goes this is pretty rudimentary stuff, but due to the subject matter it needs only touch a few bases to be effective anyway. Distorted camera angles go a long way when depicting a tortured soul and there is just something legitimately disturbing about a grizzled adult voice coming out of a child and wailing, “You’re all going to die!” Sure, I fell asleep a tad during the boring second half, but when I did, I had bad dreams, bad dreams with hooves!” Kindertrauma

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IMDb | Image credits: Cult VHS


Demon (2015)

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Demon – aka Ha’dibouk – is a 2015 Polish-Israeli horror film directed by Marcin Wrona from a screenplay co-written with Pawel Maslona. The film takes its inspiration from the Jewish legend of the dybbuk but puts a modern spin on it.

On September 19, 2015 director Marcin Wrona hanged himself in his hotel room, which was during the Gdynia Polish Film Festival, where the film was shown in competition.

The film is being released in the US by The Orchard on September 9, 2016.

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Main cast:

Itay Tiran, Tomasz Schuchardt, Andrzej Grabowski, Adam Woronowicz, Wlodzimierz Press, Tomasz Zietek, Katarzyna Gniewkowska and Agnieszka Zulewska.

Plot:

Peter is a successful young architect living in London. When he falls in love with the beautiful Zaneta, he agrees to move back to her small hometown in Poland.

They have inherited an old house and barn from her family and Peter has grand plans for fixing up the place, even putting a swimming pool in the back yard.

But when he starts digging the hole for the pool, he discovers what appear to be human bones. That night, he has a strange dream about seeing a young lady out by the hole…

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Reviews:

“Up until its unfortunate third-act detour from intriguing verisimilitude to frustrating abstraction, director Marcin Wrona’s Demon enthrals as an atmospheric ghost story with a cheeky undercurrent of absurdist humor.” Joe Leydon, Variety

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” … an entrancingly ambiguous, heartfelt and stalwart spin on possession platitudes. Wrona renounces the shuddersome special effects we’re all too accustomed to when it comes to demonic possession films, in favor of forging a much more atmospheric, speculative, and ultimately, far superior supernatural yarn.” Howard Gorman, Shock Till You Drop

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“Tiran certainly leveraged his experience as Hamlet on the stage with Israeli Cameri Theater to shape Piotr’s character. His acting evokes the convulsive body of a werewolf that cannot turn into a wolf, and possibly is only faking madness in front of Żaneta’s family and the other guests.” Giuseppe Sedia, Kracow Post

WikipediaIMDb


The Devil’s Candy (2015)

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The Devil’s Candy is a 2015 American supernatural horror film written and directed by Sean Byrne (The Loved Ones).

The film stars Ethan Embry, Shiri Appleby, Pruitt Taylor Vince, and Kiara Glasco.

Plot:

A struggling painter is possessed by satanic forces after he and his family move into their dream home…

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Reviews:

” … it’s the deeply felt affection for metal that really makes The Devil’s Candy sing. Too often the butt of movie humour, metal remains an enduringly misunderstood world, which is odd when you consider its natural thematic links to horror … It’s a treat, then, to see metal fans and the music they love depicted with care, complete with a stonking soundtrack.” Clem Bastow, The Guardian

“What’s here is entertaining, bloody and gleefully macabre enough while maintaining a soft family-first center. But the pic really could have used more of an evolutionary arc for Jesse (Embry is too often stuck on a single level of anticipatory intensity that never quite arrives at a payoff), more exploitation of the house as malevolent entity, and perhaps a fully developed subplot or two.” Dennis Harvey, Variety

“Byrne has an especially deft handle on every element of this production. Before things descend into pure chaos, the film is flooded with stunning foreboding imagery. There’s this red cross on the front door that occasionally changes from red to black when the door opens and closes, and a particularly stunning shot of Embry’s silhouette against a blank canvas. These types of visuals never feel like heavy-handed devices.” Perri Nemiroff, Collider

The Devil’s Candy is oddly too restrained, as there aren’t nearly as many set pieces as one might expect given the premise and filmmaker. Yet the film somehow manages to be simultaneously too over-the-top, with Vince’s performance in particular getting annoying fast and his presence in the movie doesn’t shrink as the running time inches on.Even the genre subversion that Byrne employed so well in The Loved Ones fall flat here, with the constant shifts in horror subgenres feeling more tiresome than invigorating by the end.” Phil Brown, Fangoria

“As the film rolls on, each scene more unsettling than the last, the deeply embedded tension mounts quickly, melding together the raw power of heavy metal, shocking violence, and satanic rituals to create a raw, ferocious, gritty, limitless power that makes this one of the most metal movies ever made.” Kalyn Corrigan, Daily Dead

IMDb


The Remains (2016)

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‘Some things are best left alone.’

The Remains is a 2016 horror film written and directed by Thomas Della Bella, making his feature debut after directing short Open House in 2014.

The film was released in the US by Vertical Entertainment on August 5, 2016.

Main cast:

Nikki Hahn (American Horror Story), Todd Lowe, Samuel Larsen, Lisa Brenner, Brooke Butler (All Cheerleaders Die; The Sand), Samuel Larsen (Recovery), Ashley Crow (Supernatural), Maria Olsen (Mark of the WitchAxeman 2: Overkill; Consumption), Hannah Nordberg, Tava Smiley, Jenni Blong, John Pirruccello, Ian Duncan, Courtney Cunningham, Dash Williams and Clayton Hoff.

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Plot:

After a family moves into an old Victorian home, they discover a chest in the attic containing antiques tainted by a malevolent spirit. As the antiques slowly possess each family member, the spirit hell bent on kidnapping the children…

Reviews:

” … neither scary, nor strange, nor interesting, nor intentionally funny, although Dad aka John (Todd Lowe) has some line readings about his wife passing that are hilarious. In his maiden feature film effort, director/screenwriter Thomas Della Bella shows some technical adeptness, but he let himself down badly with the script. The best thing The Remains has going for it is the performance of Hannah Nordberg as the middle daughter, Victoria.” Meet Mr.Karma

“The plot of The Remains, which follows a family trying to recover from the loss of John’s wife, could have benefited from more time spent on the crescendo. But the hurried conclusion in no way harms how much fun the film is. This ghost story incorporates all the wicked pieces that make haunted houses so exciting, touching on everything from seances to demons to scary dolls.” Lexi Harrington, Fangoria

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IMDb | Image thanks: Meet Mr.Karma

 


Manhattan Baby (1982)

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‘A soul engulfed by evil!’

Manhattan Baby is a 1982 Italian supernatural horror film directed by Lucio Fulci from a screenplay by Elisa Briganti and Dardano Sacchetti. The film’s original Italian title is L’Occhio del male. It was retitled Possessed in the UK and Eye of the Evil Dead in the USA. The score was by Fulci’s regular composer Fabio Frizzi.

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On October 25, 2016 the film is being reissued by Blue Underground on a 2K Blu-ray disc mastered from the original negative, with a DVD version and CD soundtrack. Special features include:

  • Fulci & I – Career-spanning interview with composer Fabio Frizzi
  • For the Birds – Interview with star Cosimo Cinieri
  • 25 Years with Fulci – Interview with make-up effects artist Maurizio Trani
  • Beyond the Living Dead – Interview with co-writer Dardano Sacchetti
  • Stephen Thrower on Manhattan Baby – Interview with the author of Beyond Terror: The Films of Lucio Fulci
  • “Manhattan Baby Suite” – Live studio performance by Fabio Frizzi
  • Theatrical trailer
  • Poster & still gallery
  • Collectable booklet featuring new writing by author Troy Howarth

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Plot:

On holiday in Egypt with George and Emily Hacker (Christopher Connelly and Martha Taylor), her archaeologist father and journalist mother, ten-year-old Susie Hacker (Brigitta Boccoli) is approached by a mysterious blind woman who gives her an amulet. Soon after, George is struck blind when he enters a previously unexplored tomb.

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Upon their return in New York, George is informed that the loss of his eyesight will only be temporary. Susie begins to act strangely, and her younger brother Tommy (Giovanni Frezza), who stayed behind in New York with the family’s au pair Jamie Lee (Cinzia de Ponti), is also affected by the mysterious amulet. Both Susie and Tommy have gained supernatural access to dimensional doorways…

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Reviews:

” … absolves itself from having to make sense: the rough circularity of the story, the insistence on mosaic images rather than smooth plotting, and the impossibility of attributing noble or heroic motives to the character of Marcato, finally serve to remind us that the supernatural is also irrational.” Kim Newman, Monthly Film Bulletin

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“Fulci is hampered here with a rotten screenplay which cribs interesting elements from other films but fails to resolve them.” Variety

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“There is an exceptional amount of camera shots centered on the eyes; sometimes starting zoomed in on them, sometimes, for dramatic effect, starting backed away and then zoomed in. The latter if these two is always accompanied with the same synthesizer effect. There are some fantastic 80s gore shots that really make the film worth watching, my favorite being the one I mentioned above with the vultures eating Fulci’s face.” Bruce Kooken, HorrorNews.net

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“There is only one major gore sequence in Manhattan Baby, and it doesn’t come until the climax. And even that sequence (wherein a main character is attacked by re-animated stuffed birds) pales in comparison to the carnage in the director’s early work. Making matters even worse is the fact that you can see the strings on the birds in many of the shots.” Mike Bracken, IGN

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“… Manhattan Baby survives as film that Fulci fans may find themselves revisiting long after their taste for gore has been sated.” Stephen Thrower, Beyond Terror: The Films of Lucio Fulci

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Buy Beyond Terror (revised, expanded edition): Amazon.com | Amazon.co.uk

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Cast and characters:

Wikipedia | IMDb


Incarnate (2016)

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‘Faith has failed us’

Incarnate is a 2016 American supernatural horror film directed by Brad Peyton from a screenplay by Ronnie Christensen (Monster!). It follows “an unconventional exorcist who can tap into the subconscious of the possessed”. Jason Blum is a co-producer.

The film is released theatrically on December 2, 2016, by Blumhouse Tilt, High Top Releasing and Universal Pictures.

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Main cast:

Aaron Eckhart (I, Frankenstein; The Wicker Man), Keir O’Donnell, Catalina Sandino Moreno (At the Devil’s Door), Mark Steger (Stranger Things; Holidays); Paranormal Activity: The Ghost Dimension), Tomas Arana (The Possession of Michael King; The Church), Carice van Houten (Intruders; Black Death).

Plot:

A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past…

Wikipedia | IMDb



American Poltergeist (2015)

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‘The haunting has come back home’

American Poltergeist is a 2015 American supernatural horror film directed by Mike Rutkowski from a screenplay co-written with Nicole Holland (executive producer of The Ouija Experiment and its sequel). The working title was The House of Lizzie Borden.

Screen Shot 2016-08-22 at 13.23.50For its British Point Blank DVD release in September 2015, the film was retitled The Haunting of Borden House.

Main cast:

Simona Fusco, Donna Spangler (Dinosaur Valley Girls; Roots of Evil), Luke Brandon Field (Blackwood), Aaron Lee (Paranormal Movie), Ashley Green Elizabeth (Incarnate; Muck), Nicole Holland, Nikole Howell (After School Massacre), Nicholas Talone, Jakob Renken, Shawn Michael Lukaszewicz, Elwie Apor Harris, Arthur Richardson, Rich Rossi, Felix McNulty.

Plot:

A group of university friends move into a vacation home in Fall River, Massachusetts. Suspicious of Diana Eastbrook, the owner, Taryn feels a strong connection to the house and finds herself at the centre of what just seemed an urban legend…

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Buy: Amazon.co.uk

Reviews:

“Sadly, the plot is derivative and confused, asking its audience to take things at face value. A last minute twist tries to add a little spice to the narrative, but it’s too little too late. The dialogue is below par and isn’t helped by the pick and mix acting on display. And it’s all so unnecessarily serious. Perhaps if the film, like its young protagonists, loosened up a little and embraced it’s camp potential, we could be on to something.” John Noonan, HorrorNews.net

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“There are a few good scares in the third act, but otherwise this is just another low-budget horror movie that fails to cover up its many failings, including a poor cast and a constant feeling of ridiculousness.” Kevin Matthews, Letterboxd.com

“Early on there’s the usual noises off camera and lights flickering and some bog-standard set up pieces but it is really only when the ghostie properly appears that it gets interesting. All the murders mostly occur off camera too … The make up effects on Lizzie are reasonable enough and although it’s not likely to get the hairs on the back of your head moving it’s a fairly enjoyable low budget ghost story.” I. R. Kerr, Amazon.co.uk

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Choice dialogue:

“Michael says I have a boogeyman complex but I just think it stems from my Helter Skelter obsession.”

IMDb | Image credits: HorrorNews.net


The Amityville Legacy (2016)

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‘Evil comes in all forms.’

The Amityville Legacy is a 2016 American supernatural Screen Shot 2016-08-25 at 17.20.26horror film written and directed by producer Dustin Ferguson (Camp Blood 4 and 5; Meathook Massacre; Demon Dolls) and Mike Johnson for 42nd Street Films.

Main cast:

Eric Moyer (Blood Claws; Cheerleader Camp: To the Death), Mark Popejoy (Flat Water Terrors Volume 1The Eyes of Isabelle), Julia Farrell (Demon DollsSilent Night, Bloody Night 2), Cheyenne King, Jennii Caroline (Die Sister Die), Colby Coash, Schuylar Craig, Jade Michael LaFont, Tony Brown, Breana Mitchell, Jason Bracht, Brittany Dailey, Daniel Steir and Jeanne Kern.

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Plot:

A cursed antique toy monkey from the original DeFeo home wrecks havoc and possesses a father after being gifted during an annual family reunion in a small town in Nebraska…

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IMDb | Facebook


Annabelle 2 (2017)

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Annabelle 2 is a 2017 horror film directed by David F. Sandberg (Lights Out) from a screenplay by Gary Dauberman (Annabelle).

Collaborating with Sandberg behind-the-scenes from his Lights Out team are production designer Jennifer Spence and editor Michel Aller, joined by director of photography Maxime Alexandre (The Other Side of the Door) and costume designer Leah Butler (Paranormal Activity 3 and 4).

A spin-off from James Wan’s horror hit The Conjuring, the first movie grossed a massive $244,161,909 worldwide against a budget of $6.5 million.

The film is released on May 19, 2017 by Warner Bros.

Main cast:

Stephanie Sigman, Talitha Bateman, Lulu Wilson (Ouija 2, Deliver Us from Evil), Philippa Anne Coulthard (After the Dark), Grace Fulton, Lou Lou Safran, Samara Lee (The Last Witch Hunter), Tayler Buck, Anthony LaPaglia Miranda Otto.

Plot:

Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home. Unfortunately, they soon become the target of the dollmaker’s possessed creation, Annabelle…

Cast and characters:

Production company:

New Line Cinema
Atomic Monster
The Safran Company

Filming locations:

Los Angeles, California

Wikipedia | IMDb


Cathy’s Curse (1977)

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Cathy’s Curse – aka Cauchemars – is a 1977 French-Canadian supernatural horror film directed by Eddy Matalon from a screenplay co-written with Myra Clément and assistant director Alain Sens-Cazenave.

cathyscurse4Main cast:

Alan Scarfe, Beverly Murray, Randi Allen, Dorothy Davis, Mary Morter, Roy Witham, Bryce Allen, Sonny Forbes, Robert V. Girolami, Renée Girard, Linda Koot, Jeffrey LaFlamme, Peter MacNeill, Lisa Nickelt, Hubert Noël.

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Plot:

November 1979: Cathy is possessed by the spirit of her dead aunt, who died in a car accident in 1947. Soon members of her family begin to mysteriously die off.

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Buy: Amazon.co.uk

Reviews:

Cathy’s Curse is a terrible film. I mean a really terrible film. I could go into great detail about how awful it is but I don’t have ten additional paragraphs in me right now. Best I can say is that it provides a few laughs (all unintentional, of course), just not nearly enough to make this worth sitting through.” The Bloody Pit of Horror

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“But I was mostly entertained and drawn in by its surreal atmosphere and its commitment to hurling out a bunch of crazy scenes for 80 minutes. It’s sort of brazen in its disregard for character development and logic, which makes it quite possibly one of the best Euro-horrors ever produced from Canada.” Brett G., Oh, the Horror!

“The script places a lot of emphasis on ‘possession’ special effects, which quite laughably fail to deliver. The direction between these ‘climatic’ scenes is amateurish. All of which wastes a potentially interesting idea: Cathy’s possession begins with a rejection of her female identity.” Verina Glaessner, Time Out

” … wholly unlikeable – annoying characters, dull direction, trite shocks. Yet I must give credit for the high percentage of activity and action. After the initial 20-minute set-up, something happens every five minutes.” David Elroy Goldweber, Claws & Saucers

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“The uninspired direction and script devote a great deal of footage to showing cars driving up to the house and people getting in and out of them. The effects are basic, the acting nondescript and the script makes nothing of the interesting thematic possibilities of the alienation of a young girl from her female body.” The Aurum Film Encyclopedia: Horror

“Special effects are undistinguished, Eddie Matalan’s direction is tedious, and Randi Allen as Cathy seems more insufferable than evil.” John Stanley, Creature Features

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Choice dialogue:

George: “Listen to me Vivian. I have been working at the construction site for eighteen hours a day and I am exhausted. You know how important this project is to me. I just can’t stand anymore of your hysterics!”

Image credits: The Bloody Pit of Horror

Plot keywords:

accident | alcoholic | anger | bath | breakdown | car crash | child | construction site | dog | drowning | father | fire | game | girl | handyman | leeches | medium | mind games | mother | old house | paranoia | paranormal | police | pond | rats | resentment | restaurant | screaming | shouting | snake | snow | spider | telekenisis


Km 31-2 (2016)

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‘Now comes for your children’

Km 31-2 – aka Kilómetro 31 2 – is a 2016 Mexican supernatural horror film written and directed by Rigoberto Castañeda (Blackout; Necrofilia) and a sequel to Km 31 (2007).

The Lemon Films production will be released on 4 November 2016 in Mexico.

Main cast:

Carlos Aragón, Mauricio García Lozano, Adrià Collado, Verónica Merchant, Matías del Castillo,  Rosanna Engel, Mauricio Isaac, Iliana Fox, Italo Londero.

Plot:

Martin Ugalde (Aragón) is the detective who led the investigation into a series of mysterious deaths on a benighted stretch of road surrounded by woodland. Having been disgraced and even incarcerated for failing to solve the original case, he is now back on the case.

Meanwhile, young Ágata, who awoke from a coma at the end of the original, is now possessed by an evil spirit…

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IMDb


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